Let’s talk about the infamous Netflix approved camera list. It’s a topic that has caused a lot of drama and debate within the filmmaking community, with some people taking it very seriously and others poking fun at the whole thing.

First things first, the Netflix approved camera list is intended for people who are working for Netflix or under a Netflix contract. It’s not a list that’s designed for you to film sharpness charts in your kitchen and brag about your new Sigma lens. It’s a list that’s intended for professional cinematographers and production crews who are directly working with Netflix on their productions.

Like any proper production company, Netflix has its own set of requirements that production crews must follow. These requirements include cameras that have been selected by professional cinematographers who are borderline executives working for Netflix. These cinematographers have a wealth of experience and expertise when it comes to choosing the right cameras for a production, and they’re responsible for selecting the cameras that will be used on set.

Now, you may disagree with the list of approved cameras, and that’s perfectly fine. You’re entitled to your own opinion, and there are certainly plenty of great cameras out there that aren’t on the list. But the fact of the matter is that the list is what it is, and you shouldn’t lose any sleep over it.

If you have a camera that’s not on the list, you may still be able to sell your project to Netflix, as long as it meets their production quality standards and has an interesting story. So, while the approved camera list may be important for Netflix’s production pipeline, it’s not necessarily a make-or-break factor when it comes to getting your project sold.

At the end of the day, it’s important to remember that the quality of your work is what really matters. Whether you’re using a camera that’s on the approved list or not, what’s important is that you’re creating content that’s engaging, entertaining, and well-made. So, let’s all stop stressing about cameras and start focusing on what really matters: telling great stories.